Mina’i Ware : A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares Through Sherds

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Bibliographic Details
Title: Mina’i Ware : A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares Through Sherds
Description: Mina'i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina'i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina'i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.
Authors: Richard P. McClary
Resource Type: eBook.
Subjects: Pottery, Medieval--Iran
Categories: ART / Islamic & Middle Eastern
Database: eBook Collection (EBSCOhost)
Description
Abstract:Mina'i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina'i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina'i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.
ISBN:9781399507165
9781399507189
9781399507196