The Christian Goddess : Archetype and Theology in the Fantasies of George MacDonald

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Title: The Christian Goddess : Archetype and Theology in the Fantasies of George MacDonald
Description: The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in'The Golden Key'and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's'vale of Soulmaking,'also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman,'The Gray Wolf,'and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a'right imagination'is the voice of God, while Divine Children in The Wise Woman and'The Golden Key'communicate his belief that'true childhood'is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.
Authors: Bonnie Gaarden
Resource Type: eBook.
Subjects: Goddesses in literature, Femininity of God in literature, Archetype (Psychology) in literature, Theology in literature, Christian fiction--History and criticism, Fantasy fiction, English--History and criticism, Christianity and literature--History--19th cen
Categories: FICTION / Classics, FICTION / Religious, FICTION / Christian / Classic & Allegory, FICTION / Christian / Fantasy
Database: eBook Collection (EBSCOhost)
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Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 433606
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AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1037.72192382813
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  Data: The Christian Goddess : Archetype and Theology in the Fantasies of George MacDonald
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  Data: The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in'The Golden Key'and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's'vale of Soulmaking,'also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman,'The Gray Wolf,'and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a'right imagination'is the voice of God, while Divine Children in The Wise Woman and'The Golden Key'communicate his belief that'true childhood'is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 823.8
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Goddesses in literature
        Type: general
      – SubjectFull: Femininity of God in literature
        Type: general
      – SubjectFull: Archetype (Psychology) in literature
        Type: general
      – SubjectFull: Theology in literature
        Type: general
      – SubjectFull: Christian fiction--History and criticism
        Type: general
      – SubjectFull: Fantasy fiction, English--History and criticism
        Type: general
      – SubjectFull: Christianity and literature--History--19th cen
        Type: general
    Titles:
      – TitleFull: The Christian Goddess : Archetype and Theology in the Fantasies of George MacDonald
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Bonnie Gaarden
      – PersonEntity:
          Name:
            NameFull: Bonnie Gaarden
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2011
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9781611470086
            – Type: isbn-electronic
              Value: 9781611470093
            – Type: isbn-electronic
              Value: 9781683939108
          Titles:
            – TitleFull: The Christian Goddess : Archetype and Theology in the Fantasies of George MacDonald
              Type: main
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