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Musical Form, Forms & Formenlehre : Three Methodological Reflections

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Title: Musical Form, Forms & Formenlehre : Three Methodological Reflections
Description: In ‘Musical Form, Forms & Formenlehre: Three Methodological Reflections', three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin's “theory of formal functions,” Hepokoski's concept of “dialogic form,” and Webster's method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
Authors: Pieter Bergé
Resource Type: eBook.
Subjects: Musical form
Categories: MUSIC / Instruction & Study / Theory
Database: eBook Collection (EBSCOhost)
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DbLabel: eBook Collection (EBSCOhost)
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PubType: eBook
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  Data: In ‘Musical Form, Forms & Formenlehre: Three Methodological Reflections', three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin's “theory of formal functions,” Hepokoski's concept of “dialogic form,” and Webster's method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
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RecordInfo BibRecord:
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    Classifications:
      – Code: 781.8
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Musical form
        Type: general
    Titles:
      – TitleFull: Musical Form, Forms & Formenlehre : Three Methodological Reflections
        Type: main
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          Name:
            NameFull: Pieter Bergé
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            NameFull: Pieter Bergé
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2009
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9789058678225
            – Type: isbn-electronic
              Value: 9789461660046
          Titles:
            – TitleFull: Musical Form, Forms & Formenlehre : Three Methodological Reflections
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