Desi Divas : Political Activism in South Asian American Cultural Performances

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Title: Desi Divas : Political Activism in South Asian American Cultural Performances
Description: Desi Divas: Political Activism in South Asian American Cultural Performances is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. Within this framework she examines how these performance activists advocate a political commitment to both justice and care, to both deliberative discussion and deeper understanding. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures make rhetorical claims about hate crimes against South Asian Americans after 9/11. In Yoni ki Bat (a South Asian American version of The Vagina Monologues) a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence, such as incest and rape. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection.
Authors: Christine L. Garlough
Resource Type: eBook.
Subjects: Women in the performing arts--United States, Art and social action--United States, South Asian Americans women--Ethnic identity, Performance art--Political aspects--United States, Performance art--Social aspects--United States, South Asian American women--Social life and customs
Categories: SOCIAL SCIENCE / Folklore & Mythology, SOCIAL SCIENCE / Feminism & Feminist Theory, SOCIAL SCIENCE / Women"s Studies, SOCIAL SCIENCE / Cultural & Ethnic Studies / American / Asian American & Pacific Islander Studies, POLITICAL SCIENCE / Women in Politics, PERFORMING ARTS / Dance / Regional & Cultural
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-epub
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Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 547676
RelevancyScore: 1051
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1050.81640625
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  Data: Desi Divas : Political Activism in South Asian American Cultural Performances
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  Data: Desi Divas: Political Activism in South Asian American Cultural Performances is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. Within this framework she examines how these performance activists advocate a political commitment to both justice and care, to both deliberative discussion and deeper understanding. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures make rhetorical claims about hate crimes against South Asian Americans after 9/11. In Yoni ki Bat (a South Asian American version of The Vagina Monologues) a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence, such as incest and rape. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 792.089914073
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Women in the performing arts--United States
        Type: general
      – SubjectFull: Art and social action--United States
        Type: general
      – SubjectFull: South Asian Americans women--Ethnic identity
        Type: general
      – SubjectFull: Performance art--Political aspects--United States
        Type: general
      – SubjectFull: Performance art--Social aspects--United States
        Type: general
      – SubjectFull: South Asian American women--Social life and customs
        Type: general
    Titles:
      – TitleFull: Desi Divas : Political Activism in South Asian American Cultural Performances
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Christine L. Garlough
      – PersonEntity:
          Name:
            NameFull: Christine L. Garlough
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2013
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9781617037320
            – Type: isbn-print
              Value: 9781496853691
            – Type: isbn-electronic
              Value: 9781621039242
            – Type: isbn-electronic
              Value: 9781628465433
          Titles:
            – TitleFull: Desi Divas : Political Activism in South Asian American Cultural Performances
              Type: main
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