New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez

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Title: New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
Description: New Music at Darmstadt explores the rise and fall of the so-called'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined'swept across the European avant-garde like a natural disaster'.
Authors: Martin Iddon
Resource Type: eBook.
Subjects: Music--Germany--Darmstadt--20th century--History and criticism
Categories: MUSIC / Genres & Styles / International
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 569173
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AccessLevel: 6
PubType: eBook
PubTypeId: ebook
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  Data: New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
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  Label: Description
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  Data: New Music at Darmstadt explores the rise and fall of the so-called'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined'swept across the European avant-garde like a natural disaster'.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 780.94341670904
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Music--Germany--Darmstadt--20th century--History and criticism
        Type: general
    Titles:
      – TitleFull: New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Martin Iddon
      – PersonEntity:
          Name:
            NameFull: Martin Iddon
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      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2013
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9781107033290
            – Type: isbn-electronic
              Value: 9781107055964
          Titles:
            – TitleFull: New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
              Type: main
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