Roomscape : Women Writers in the British Museum From George Eliot to Virginia Woolf

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Title: Roomscape : Women Writers in the British Museum From George Eliot to Virginia Woolf
Description: Examines the Reading Room of the British Museum as a space of imaginative and historically generative potential in relation to the emergence of modern women writers in Victorian and early twentieth-century London Drawing on archival materials around this national library reading room, Roomscape is the first study that integrates documentary, theoretical, historical, and literary sources to examine the significance of this public interior space for women writers and their treatment of reading and writing spaces in literary texts. This book challenges an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image firmly established by Virginia Woolf's 1929 A Room of One's Own and the legions of feminist scholarship that uphold this spatial conceit. Susan David Bernstein argues not only that the British Museum Reading Room facilitated various practices of women's literary traditions, she also questions the overdetermined value of privacy and autonomy in constructions of female authorship, a principle generated from Woolf's feminist manifesto. Rather than viewing reading and writing as solitary, individual events, Roomscape considers the meaning of exteriority and the public and social and gendered dimensions of literary production. In addition to new perspectives on George Eliot, Christina Rossetti, and Virginia Woolf, Roomscape offers original research on other novelists, poets, and translators including Amy Levy, Mathilde Blind, Eleanor Marx, Clementina Black, Constance Black Garnett, A. Mary F. Robinson, and Vernon Lee (Violet Paget). Looking at the Reading Room of the British Museum as a networking site for a variety of readers, this study examines political radicals and women activists who found a transnational community in this London public space. An appendix of notable readers lists details of more than 200 women readers who registered for admission to the Reading Room of the British Museum from the middle of the nineteenth century through the early twentieth century.
Authors: Susan David Bernstein
Resource Type: eBook.
Subjects: Reading rooms--England--London--History, Women authors--Societies, etc, English literature--Women authors--History and criticism, Authorship
Categories: LITERARY CRITICISM / Women Authors
Database: eBook Collection (EBSCOhost)
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  Availability: 0
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An: 573002
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  Data: Roomscape : Women Writers in the British Museum From George Eliot to Virginia Woolf
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  Data: Examines the Reading Room of the British Museum as a space of imaginative and historically generative potential in relation to the emergence of modern women writers in Victorian and early twentieth-century London Drawing on archival materials around this national library reading room, Roomscape is the first study that integrates documentary, theoretical, historical, and literary sources to examine the significance of this public interior space for women writers and their treatment of reading and writing spaces in literary texts. This book challenges an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image firmly established by Virginia Woolf's 1929 A Room of One's Own and the legions of feminist scholarship that uphold this spatial conceit. Susan David Bernstein argues not only that the British Museum Reading Room facilitated various practices of women's literary traditions, she also questions the overdetermined value of privacy and autonomy in constructions of female authorship, a principle generated from Woolf's feminist manifesto. Rather than viewing reading and writing as solitary, individual events, Roomscape considers the meaning of exteriority and the public and social and gendered dimensions of literary production. In addition to new perspectives on George Eliot, Christina Rossetti, and Virginia Woolf, Roomscape offers original research on other novelists, poets, and translators including Amy Levy, Mathilde Blind, Eleanor Marx, Clementina Black, Constance Black Garnett, A. Mary F. Robinson, and Vernon Lee (Violet Paget). Looking at the Reading Room of the British Museum as a networking site for a variety of readers, this study examines political radicals and women activists who found a transnational community in this London public space. An appendix of notable readers lists details of more than 200 women readers who registered for admission to the Reading Room of the British Museum from the middle of the nineteenth century through the early twentieth century.
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RecordInfo BibRecord:
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      – Code: 820.9099287
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Reading rooms--England--London--History
        Type: general
      – SubjectFull: Women authors--Societies, etc
        Type: general
      – SubjectFull: English literature--Women authors--History and criticism
        Type: general
      – SubjectFull: Authorship
        Type: general
    Titles:
      – TitleFull: Roomscape : Women Writers in the British Museum From George Eliot to Virginia Woolf
        Type: main
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      – PersonEntity:
          Name:
            NameFull: Susan David Bernstein
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          Name:
            NameFull: Susan David Bernstein
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2013
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9780748640652
            – Type: isbn-electronic
              Value: 9780748681617
            – Type: isbn-electronic
              Value: 9780748681624
          Titles:
            – TitleFull: Roomscape : Women Writers in the British Museum From George Eliot to Virginia Woolf
              Type: main
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