Moving Images : Nineteenth-Century Reading and Screen Practices
Saved in:
| Title: | Moving Images : Nineteenth-Century Reading and Screen Practices |
|---|---|
| Description: | Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual mediaThis book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key FeaturesConsiders the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George SimsProvides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema |
| Authors: | Helen Groth |
| Resource Type: | eBook. |
| Subjects: | English literature--History and criticism.--19, Projectors in literature, Books and reading--History--19th century.--G |
| Categories: | LITERARY CRITICISM / General, PERFORMING ARTS / Film / General, PERFORMING ARTS / Film / History & Criticism |
| Database: | eBook Collection (EBSCOhost) |
| FullText | Links: – Type: ebook-pdf – Type: ebook-epub Text: Availability: 0 |
|---|---|
| Header | DbId: nlebk DbLabel: eBook Collection (EBSCOhost) An: 646981 RelevancyScore: 1051 AccessLevel: 6 PubType: eBook PubTypeId: ebook PreciseRelevancyScore: 1050.81640625 |
| IllustrationInfo | |
| ImageInfo | – Size: thumb Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$646981$PDF&s=r – Size: medium Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$646981$PDF&s=d |
| Items | – Name: Title Label: Title Group: Ti Data: Moving Images : Nineteenth-Century Reading and Screen Practices – Name: Abstract Label: Description Group: Ab Data: Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual mediaThis book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key FeaturesConsiders the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George SimsProvides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Helen+Groth%22">Helen Groth</searchLink> – Name: TypePub Label: Resource Type Group: TypPub Data: eBook. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22English+literature--History+and+criticism%2E--19%22">English literature--History and criticism.--19</searchLink><br /><searchLink fieldCode="DE" term="%22Projectors+in+literature%22">Projectors in literature</searchLink><br /><searchLink fieldCode="DE" term="%22Books+and+reading--History--19th+century%2E--G%22">Books and reading--History--19th century.--G</searchLink> – Name: SubjectBISAC Label: Categories Group: Su Data: <searchLink fieldCode="ZK" term="%22LITERARY+CRITICISM+%2F+General%22">LITERARY CRITICISM / General</searchLink><br /><searchLink fieldCode="ZK" term="%22PERFORMING+ARTS+%2F+Film+%2F+General%22">PERFORMING ARTS / Film / General</searchLink><br /><searchLink fieldCode="ZK" term="%22PERFORMING+ARTS+%2F+Film+%2F+History+%26+Criticism%22">PERFORMING ARTS / Film / History & Criticism</searchLink> |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=646981 |
| RecordInfo | BibRecord: BibEntity: Classifications: – Code: 820.9008 Scheme: ddc Type: prePub Languages: – Code: eng Text: English Subjects: – SubjectFull: English literature--History and criticism.--19 Type: general – SubjectFull: Projectors in literature Type: general – SubjectFull: Books and reading--History--19th century.--G Type: general Titles: – TitleFull: Moving Images : Nineteenth-Century Reading and Screen Practices Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Helen Groth – PersonEntity: Name: NameFull: Helen Groth IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 2013 – D: 11 M: 03 Type: profile Y: 2014 Identifiers: – Type: isbn-print Value: 9780748669486 – Type: isbn-electronic Value: 9780748669493 – Type: isbn-electronic Value: 9780748669509 Titles: – TitleFull: Moving Images : Nineteenth-Century Reading and Screen Practices Type: main |
| ResultId | 1 |