Calling‐Out the Bullshit: The Paradox of Neoliberal Critique in The Big Short.

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Title: Calling‐Out the Bullshit: The Paradox of Neoliberal Critique in The Big Short.
Authors: Long, Alexander
Source: Journal of Popular Culture (John Wiley & Sons, Inc.). Apr2018, Vol. 51 Issue 2, p337-355. 19p.
Subjects: Big Short, The (Film), McKay, Adam, 1968-, Global Financial Crisis, 2008-2009, Finance in motion pictures, Antiheroes in motion pictures, Voice-overs
Geographic Terms: United States
Abstract: The author presents a criticism of the film "The Big Short" directed by Adam McKay. He discusses the presentation of the 2008-2009 economic crisis in the film, the leading characters as antiheroes, and the use of voice-overs to emphasize the insights presented by the film.
Database: Psychology and Behavioral Sciences Collection
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Header DbId: pbh
DbLabel: Psychology and Behavioral Sciences Collection
An: 128998179
AccessLevel: 6
PubType: Academic Journal
PubTypeId: academicJournal
PreciseRelevancyScore: 0
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  Data: The author presents a criticism of the film "The Big Short" directed by Adam McKay. He discusses the presentation of the 2008-2009 economic crisis in the film, the leading characters as antiheroes, and the use of voice-overs to emphasize the insights presented by the film.
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=pbh&AN=128998179
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        Value: 10.1111/jpcu.12656
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      – Code: eng
        Text: English
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        PageCount: 19
        StartPage: 337
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      – SubjectFull: Big Short, The (Film)
        Type: general
      – SubjectFull: McKay, Adam, 1968-
        Type: general
      – SubjectFull: Global Financial Crisis, 2008-2009
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      – SubjectFull: Finance in motion pictures
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      – SubjectFull: Antiheroes in motion pictures
        Type: general
      – SubjectFull: Voice-overs
        Type: general
      – SubjectFull: United States
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      – TitleFull: Calling‐Out the Bullshit: The Paradox of Neoliberal Critique in <italic>The Big Short</italic>.
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              Text: Apr2018
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              Y: 2018
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