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Getting Home: A Discussion of "Accompaniment in Jazz and Psychoanalysis".

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Title: Getting Home: A Discussion of "Accompaniment in Jazz and Psychoanalysis".
Authors: Blum, Adam (AUTHOR)
Source: Psychoanalytic Dialogues. Jul-Aug2020, Vol. 30 Issue 4, p448-458. 11p.
Subjects: Psychoanalysis, Musical form, Jazz
Abstract: Situating his current paper (this issue) within the developing dialogue between psychoanalysis and music, as well as within the evolution of Markman's own definitive contributions to that dialogue, this discussion identifies Markman's inspired, embodied musicality as the primary force animating Markman's writing and clinical work. Markman's remarkable taxonomy of rhythmic styles of psychoanalytic accompaniment, formed entirely by his clinical experience, is highlighted and elaborated. The value of music as a source of metaphor is contrasted with an understanding of the actuality of music as a dimension of psychical life that is cultivated and healed through psychoanalytic accompaniment. Using "process notes" from a music documentary, the power of actual music is located in the fabric of culture, conducted through musical sound and forms of movement, including the rhythmic practice of the psychoanalytic frame and the antiphonic discourse of psychoanalytic process. [ABSTRACT FROM AUTHOR]
Copyright of Psychoanalytic Dialogues is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Psychology and Behavioral Sciences Collection
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  Data: Getting Home: A Discussion of "Accompaniment in Jazz and Psychoanalysis".
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  Data: <searchLink fieldCode="DE" term="%22Psychoanalysis%22">Psychoanalysis</searchLink><br /><searchLink fieldCode="DE" term="%22Musical+form%22">Musical form</searchLink><br /><searchLink fieldCode="DE" term="%22Jazz%22">Jazz</searchLink>
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  Data: Situating his current paper (this issue) within the developing dialogue between psychoanalysis and music, as well as within the evolution of Markman's own definitive contributions to that dialogue, this discussion identifies Markman's inspired, embodied musicality as the primary force animating Markman's writing and clinical work. Markman's remarkable taxonomy of rhythmic styles of psychoanalytic accompaniment, formed entirely by his clinical experience, is highlighted and elaborated. The value of music as a source of metaphor is contrasted with an understanding of the actuality of music as a dimension of psychical life that is cultivated and healed through psychoanalytic accompaniment. Using "process notes" from a music documentary, the power of actual music is located in the fabric of culture, conducted through musical sound and forms of movement, including the rhythmic practice of the psychoanalytic frame and the antiphonic discourse of psychoanalytic process. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
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  Group: Ab
  Data: <i>Copyright of Psychoanalytic Dialogues is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1080/10481885.2020.1774328
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        Text: English
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        StartPage: 448
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        Type: general
      – SubjectFull: Musical form
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      – SubjectFull: Jazz
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              Text: Jul-Aug2020
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