Writing Autobiography as Desperate Spiritual Art: A Narrative Psychological Approach to Nick Flynn's Another Bullshit Night in Suck City.

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Title: Writing Autobiography as Desperate Spiritual Art: A Narrative Psychological Approach to Nick Flynn's Another Bullshit Night in Suck City.
Authors: Helsel, Philip
Source: Pastoral Psychology. Jun2011, Vol. 60 Issue 3, p363-375. 13p.
Subjects: Memoirs, Flynn, Nick, 1960-, Spirituality in art, Autobiography, White, Michael, Epston, David, Narrative therapy
Abstract: Nick Flynn's memoir about his troubled relationship with his father is analyzed as an example of desperately practiced spiritual art using the narrative psychology of Michael White and David Epston. Reflections on the history of autobiography are combined with psychotherapeutic explorations into the significance of telling deeply troubling stories. White and Epston's metaphors of externalizing conversations, noting exceptions, and recruiting an audience are implemented in the case of Flynn's identification with his father's alcoholism, his identification with his father's writing aspirations, and his identification with his father's body. [ABSTRACT FROM AUTHOR]
Copyright of Pastoral Psychology is the property of Springer Nature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Psychology and Behavioral Sciences Collection
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  Data: Nick Flynn's memoir about his troubled relationship with his father is analyzed as an example of desperately practiced spiritual art using the narrative psychology of Michael White and David Epston. Reflections on the history of autobiography are combined with psychotherapeutic explorations into the significance of telling deeply troubling stories. White and Epston's metaphors of externalizing conversations, noting exceptions, and recruiting an audience are implemented in the case of Flynn's identification with his father's alcoholism, his identification with his father's writing aspirations, and his identification with his father's body. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Pastoral Psychology is the property of Springer Nature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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