Perceiving Cinematic Episodes: A Cross-Cultural Repertory Grid Study of A Narrative Film Segment.
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| Title: | Perceiving Cinematic Episodes: A Cross-Cultural Repertory Grid Study of A Narrative Film Segment. |
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| Authors: | Blowers, Geoffrey H., McCoy, Mildred M. |
| Source: | International Journal of Psychology. Jan1986, Vol. 21 Issue 1-4, p317-332. 16p. |
| Abstract: | Film theory has advanced concepts for explaining how it is possible for film viewers to understand what they are seeing. Many of these concepts strongly imply that the production of meaning of a film ties within the film itself-the viewer's role being reduced to that of passive spectator. This study tests that assumption using a repertory grid analysis of constructs elicited from Australian and Hong Kong Chinese subjects as they interpreted a segment of a commercial film. The results showed that the Australian sample construed more emotionally than did the Hong Kong Chinese, who responded more at the level of the film's characterisation. The y were also more specific in their construals while the Australians were more diffuse. Further analysis suggested that differences between the two groups were the result of judgments about different attributes of the film, rather than because of different patterns of construing. It was concluded that since there are major differences in the two groups' interpretations of the same film, in the field of film/spectator studies where semiotics and psychology come together, the repertory grid analysis is a useful research tool. [ABSTRACT FROM PUBLISHER] |
| Copyright of International Journal of Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Psychology and Behavioral Sciences Collection |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: pbh DbLabel: Psychology and Behavioral Sciences Collection An: 76014667 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Perceiving Cinematic Episodes: A Cross-Cultural Repertory Grid Study of A Narrative Film Segment. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Blowers%2C+Geoffrey+H%2E%22">Blowers, Geoffrey H.</searchLink><br /><searchLink fieldCode="AR" term="%22McCoy%2C+Mildred+M%2E%22">McCoy, Mildred M.</searchLink> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22International+Journal+of+Psychology%22">International Journal of Psychology</searchLink>. Jan1986, Vol. 21 Issue 1-4, p317-332. 16p. – Name: Abstract Label: Abstract Group: Ab Data: Film theory has advanced concepts for explaining how it is possible for film viewers to understand what they are seeing. Many of these concepts strongly imply that the production of meaning of a film ties within the film itself-the viewer's role being reduced to that of passive spectator. This study tests that assumption using a repertory grid analysis of constructs elicited from Australian and Hong Kong Chinese subjects as they interpreted a segment of a commercial film. The results showed that the Australian sample construed more emotionally than did the Hong Kong Chinese, who responded more at the level of the film's characterisation. The y were also more specific in their construals while the Australians were more diffuse. Further analysis suggested that differences between the two groups were the result of judgments about different attributes of the film, rather than because of different patterns of construing. It was concluded that since there are major differences in the two groups' interpretations of the same film, in the field of film/spectator studies where semiotics and psychology come together, the repertory grid analysis is a useful research tool. [ABSTRACT FROM PUBLISHER] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of International Journal of Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=pbh&AN=76014667 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1080/00207598608247592 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 16 StartPage: 317 Titles: – TitleFull: Perceiving Cinematic Episodes: A Cross-Cultural Repertory Grid Study of A Narrative Film Segment. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Blowers, Geoffrey H. – PersonEntity: Name: NameFull: McCoy, Mildred M. IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Text: Jan1986 Type: published Y: 1986 Identifiers: – Type: issn-print Value: 00207594 Numbering: – Type: volume Value: 21 – Type: issue Value: 1-4 Titles: – TitleFull: International Journal of Psychology Type: main |
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