From Photography to Cinematography: Recording Movement and Gait in aNeurological Context.
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| Title: | From Photography to Cinematography: Recording Movement and Gait in aNeurological Context. |
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| Authors: | Aubert, Geneviève |
| Source: | Journal of the History of the Neurosciences. Sep2002, Vol. 11 Issue 3, p255. 10p. |
| Subjects: | Motor ability, Neurosciences |
| Abstract: | The major challenge of photography has been freezing movement, to transform it into a fixed image or series of images. Very soon, photographers became interested in movement itself and tried to use photography as a tool to analyze movement. At the early stages, physicians interested in movement, perhaps surprisingly, made important technical contributions. Mécanisme de la physionomie humaine, by Duchenne, the first book with physiological experiments illustrated by photographs, is a landmark in this historical development. At the Salpêtriére, thanks to Charcot, photography officially entered clinical neurology. Medical journals with photographs were actively developed by Bourneville. Londe established a clinical photographic laboratory and published the first book on medical photography. The study of animal and human movement by Muybridge and Marey in the 1880s led to chronophotography and later cinematography. Clinicians such as Dercum and Richer took advantage of these new techniques to study pathological movement and gait in neurological diseases. [ABSTRACT FROM AUTHOR] |
| Copyright of Journal of the History of the Neurosciences is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Psychology and Behavioral Sciences Collection |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: pbh DbLabel: Psychology and Behavioral Sciences Collection An: 7735066 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: From Photography to Cinematography: Recording Movement and Gait in aNeurological Context. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Aubert%2C+Geneviève%22">Aubert, Geneviève</searchLink> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Journal+of+the+History+of+the+Neurosciences%22">Journal of the History of the Neurosciences</searchLink>. Sep2002, Vol. 11 Issue 3, p255. 10p. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Motor+ability%22">Motor ability</searchLink><br /><searchLink fieldCode="DE" term="%22Neurosciences%22">Neurosciences</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: The major challenge of photography has been freezing movement, to transform it into a fixed image or series of images. Very soon, photographers became interested in movement itself and tried to use photography as a tool to analyze movement. At the early stages, physicians interested in movement, perhaps surprisingly, made important technical contributions. Mécanisme de la physionomie humaine, by Duchenne, the first book with physiological experiments illustrated by photographs, is a landmark in this historical development. At the Salpêtriére, thanks to Charcot, photography officially entered clinical neurology. Medical journals with photographs were actively developed by Bourneville. Londe established a clinical photographic laboratory and published the first book on medical photography. The study of animal and human movement by Muybridge and Marey in the 1880s led to chronophotography and later cinematography. Clinicians such as Dercum and Richer took advantage of these new techniques to study pathological movement and gait in neurological diseases. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Journal of the History of the Neurosciences is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=pbh&AN=7735066 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1076/jhin.11.3.255.10384 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 10 StartPage: 255 Subjects: – SubjectFull: Motor ability Type: general – SubjectFull: Neurosciences Type: general Titles: – TitleFull: From Photography to Cinematography: Recording Movement and Gait in aNeurological Context. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Aubert, Geneviève IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 09 Text: Sep2002 Type: published Y: 2002 Identifiers: – Type: issn-print Value: 0964704X Numbering: – Type: volume Value: 11 – Type: issue Value: 3 Titles: – TitleFull: Journal of the History of the Neurosciences Type: main |
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