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La teinture et les matières tinctoriales à la fin du Moyen Âge: Florence, Toscane, Méditerranée [Dyeing and dyestuffs in the late Middle Ages: Florence, Tuscany, the Mediterranean] by Mathieu Harsch, and: A Revolution in Colour: Natural Dyes and Dress in Europe, c. 1400–1800 ed. by Maria Hayward, Giorgio Riello, and Ulinka Rublack, and: Colours, Commodities and the Birth of Globalization: A History of the Natural Dyes of the Americas, 1500–2000 ed. by Carlos Marichal and David Pretel (review)

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Title: La teinture et les matières tinctoriales à la fin du Moyen Âge: Florence, Toscane, Méditerranée [Dyeing and dyestuffs in the late Middle Ages: Florence, Tuscany, the Mediterranean] by Mathieu Harsch, and: A Revolution in Colour: Natural Dyes and Dress in Europe, c. 1400–1800 ed. by Maria Hayward, Giorgio Riello, and Ulinka Rublack, and: Colours, Commodities and the Birth of Globalization: A History of the Natural Dyes of the Americas, 1500–2000 ed. by Carlos Marichal and David Pretel (review)
Authors: Lowengard, Sarah (AUTHOR)
Source: Technology & Culture. Jul2025, Vol. 66 Issue 3, p856-861. 6p.
Database: Sociology Source Ultimate
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        Value: 10.1353/tech.2025.a965827
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      – TitleFull: La teinture et les matières tinctoriales à la fin du Moyen Âge: Florence, Toscane, Méditerranée [Dyeing and dyestuffs in the late Middle Ages: Florence, Tuscany, the Mediterranean] by Mathieu Harsch, and: A Revolution in Colour: Natural Dyes and Dress in Europe, c. 1400–1800 ed. by Maria Hayward, Giorgio Riello, and Ulinka Rublack, and: Colours, Commodities and the Birth of Globalization: A History of the Natural Dyes of the Americas, 1500–2000 ed. by Carlos Marichal and David Pretel (review)
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              Text: Jul2025
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