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Ornamento y masculinidad en los albores de la modernidad: moda, ética y estética.

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Title: Ornamento y masculinidad en los albores de la modernidad: moda, ética y estética. (Spanish).
Alternate Title: Ornament and masculinity at the dawn of modernity: fashion, ethics and aesthetics. (English)
Authors: Rosés-Castellsaguer, Sílvia, Polo-Pujadas, Magda
Source: Arenal.Revista de Historia de las Mujeres. jul-dic2022, Vol. 29 Issue 2, p567-586. 20p.
Subjects: FRENCH Revolution, 1789-1799, GENDER stereotypes, FASHION, SOCIAL change, ECONOMIC change, AESTHETICS
Abstract (English): In the History of Fashion, the episode named as "The Great Male Renunciation" explains the moment in which man stops conceiving his clothing under criteria of exhibitionism, ornamentation and search for beauty, and he is constructed in contrast to the aesthetic conception of women. As a consequence, he will be subsumed in a neutral, essential and timeless appearance to which he will be faithful until the mid-twentieth century. The basis of this episode must be sought in the political, economic and social changes that will be derived from the Glorious Revolution to the French Revolution. Our hypothesis is based on the fact that this historical period will lead, in turn, to a rethinking of the gender stereotypes in force during the Old Regime, both male and female, as an essential basis for the construction of the new order, and that fashion, aesthetics and ethics will be used for that purpose. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): En la historia de la moda, el episodio bautizado como "La Gran Renuncia Masculina" explica el momento en que el hombre deja de concebir su indumentaria bajo criterios de exhibicionismo, ornamentación y búsqueda de belleza y se construye en contraposición a la concepción estética de las mujeres. Como consecuencia, su aspecto quedará subsumido en una apariencia neutra, esencial y atemporal a la que será fiel hasta mediados de siglo xx. El fundamento de dicho episodio hay que buscarlo en los cambios políticos, económicos y sociales que se derivarán desde la Revolución Gloriosa hasta la Revolución Francesa. Nuestra hipótesis se sustenta en que este periodo histórico conllevará, a su vez, un replanteamiento de los estereotipos de género vigentes durante el Antiguo Régimen, tanto masculino como femenino, como base esencial de la construcción del nuevo orden, y que se servirá de la moda, la estética y la ética para dicho propósito. [ABSTRACT FROM AUTHOR]
Database: Referencia Latina
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  Data: <searchLink fieldCode="DE" term="%22FRENCH+Revolution%2C+1789-1799%22">FRENCH Revolution, 1789-1799</searchLink><br /><searchLink fieldCode="DE" term="%22GENDER+stereotypes%22">GENDER stereotypes</searchLink><br /><searchLink fieldCode="DE" term="%22FASHION%22">FASHION</searchLink><br /><searchLink fieldCode="DE" term="%22SOCIAL+change%22">SOCIAL change</searchLink><br /><searchLink fieldCode="DE" term="%22ECONOMIC+change%22">ECONOMIC change</searchLink><br /><searchLink fieldCode="DE" term="%22AESTHETICS%22">AESTHETICS</searchLink>
– Name: Abstract
  Label: Abstract (English)
  Group: Ab
  Data: In the History of Fashion, the episode named as "The Great Male Renunciation" explains the moment in which man stops conceiving his clothing under criteria of exhibitionism, ornamentation and search for beauty, and he is constructed in contrast to the aesthetic conception of women. As a consequence, he will be subsumed in a neutral, essential and timeless appearance to which he will be faithful until the mid-twentieth century. The basis of this episode must be sought in the political, economic and social changes that will be derived from the Glorious Revolution to the French Revolution. Our hypothesis is based on the fact that this historical period will lead, in turn, to a rethinking of the gender stereotypes in force during the Old Regime, both male and female, as an essential basis for the construction of the new order, and that fashion, aesthetics and ethics will be used for that purpose. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label: Abstract (Spanish)
  Group: Ab
  Data: En la historia de la moda, el episodio bautizado como "La Gran Renuncia Masculina" explica el momento en que el hombre deja de concebir su indumentaria bajo criterios de exhibicionismo, ornamentación y búsqueda de belleza y se construye en contraposición a la concepción estética de las mujeres. Como consecuencia, su aspecto quedará subsumido en una apariencia neutra, esencial y atemporal a la que será fiel hasta mediados de siglo xx. El fundamento de dicho episodio hay que buscarlo en los cambios políticos, económicos y sociales que se derivarán desde la Revolución Gloriosa hasta la Revolución Francesa. Nuestra hipótesis se sustenta en que este periodo histórico conllevará, a su vez, un replanteamiento de los estereotipos de género vigentes durante el Antiguo Régimen, tanto masculino como femenino, como base esencial de la construcción del nuevo orden, y que se servirá de la moda, la estética y la ética para dicho propósito. [ABSTRACT FROM AUTHOR]
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RecordInfo BibRecord:
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      – Type: doi
        Value: 10.30827/arenal.v29i2.17929
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      – Code: spa
        Text: Spanish
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        PageCount: 20
        StartPage: 567
    Subjects:
      – SubjectFull: FRENCH Revolution, 1789-1799
        Type: general
      – SubjectFull: GENDER stereotypes
        Type: general
      – SubjectFull: FASHION
        Type: general
      – SubjectFull: SOCIAL change
        Type: general
      – SubjectFull: ECONOMIC change
        Type: general
      – SubjectFull: AESTHETICS
        Type: general
    Titles:
      – TitleFull: Ornamento y masculinidad en los albores de la modernidad: moda, ética y estética.
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            NameFull: Rosés-Castellsaguer, Sílvia
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            NameFull: Polo-Pujadas, Magda
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            – D: 01
              M: 07
              Text: jul-dic2022
              Type: published
              Y: 2022
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