View in EDS

MODERNISMO, FASCISMO E IDENTIDAD NACIONAL EN BRASIL: DE LA SEMANA DE ARTE MODERNO AL ESTADO NOVO DE VARGAS.

Saved in:
Bibliographic Details
Title: MODERNISMO, FASCISMO E IDENTIDAD NACIONAL EN BRASIL: DE LA SEMANA DE ARTE MODERNO AL ESTADO NOVO DE VARGAS. (Spanish).
Authors: GRECCO, GABRIELA DE LIMA (AUTHOR)
Source: Revista Iberoamericana (Liverpool University Press). oct-dec2025, Vol. 91 Issue 293, p803-827. 25p.
Subjects: MODERNISM (Art), FASCISM, COUNTRIES, CULTURAL policy, NATIONAL character, AUTHORITARIANISM, POLITICIANS
Geographic Terms: BRAZIL
Abstract (English): This paper explores the relationship between modernism and fascism according to the theory of historian Roger Griffin, applied to the Brazilian context. It analyzes how the Brazilian fascist movement of the Integralist Action emerged from the modernism driven by the Week of Modern Art in São Paulo. The article highlights the Green-Yellow movement, whose leader, Plínio Salgado, used his modernist art and, in particular, his work O Estrangeiro, to radicalize and found the Brazilian Integralist Action, the largest fascist organization outside Europe. The article concludes by examining the role of modernist and integralist intellectuals who entered the state bureaucracy during Getúlio Vargas's dictatorship, the Estado Novo, and left their mark on its nationalist cultural policies and in the construction of a national identity. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): El artículo explora la relación entre modernismo y fascismo según la teoría del historiador Roger Griffin, aplicada al contexto brasileño. Analiza cómo el movimiento fascista de la Acción Integralista Brasileña surgió del modernismo impulsado por la Semana de Arte Moderno en São Paulo. Se destaca el movimiento verdeamarillo, cuyo líder, Plínio Salgado, utilizó su arte modernista y, en particular, su obra O Estrangeiro, para radicalizarse y fundar la Acción Integralista Brasileña, la mayor organización fascista fuera de Europa. El artículo concluye examinando el rol de los intelectuales modernistas e integralistas que ingresaron en la burocracia estatal durante la dictadura de Getúlio Vargas, el Estado Novo, y dejaron su huella en sus políticas culturales nacionalistas y en la construcción de una identidad nacional. [ABSTRACT FROM AUTHOR]
Database: Referencia Latina
Description
Abstract:This paper explores the relationship between modernism and fascism according to the theory of historian Roger Griffin, applied to the Brazilian context. It analyzes how the Brazilian fascist movement of the Integralist Action emerged from the modernism driven by the Week of Modern Art in São Paulo. The article highlights the Green-Yellow movement, whose leader, Plínio Salgado, used his modernist art and, in particular, his work O Estrangeiro, to radicalize and found the Brazilian Integralist Action, the largest fascist organization outside Europe. The article concludes by examining the role of modernist and integralist intellectuals who entered the state bureaucracy during Getúlio Vargas's dictatorship, the Estado Novo, and left their mark on its nationalist cultural policies and in the construction of a national identity. [ABSTRACT FROM AUTHOR]
ISSN:00349631
DOI:10.3828/revista.2025.91.293.803