Honra, calumnias y muchachas modernas. Modelos y contramodelos de feminidad en el cine español de la Segunda República.

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Title: Honra, calumnias y muchachas modernas. Modelos y contramodelos de feminidad en el cine español de la Segunda República. (Spanish).
Alternate Title: Honour, slanders and modern woman. Models and counter-models of femininity in the cinema of the Spanish Second Republic. (English)
Authors: Solbes Borja, Elena
Source: Arenal.Revista de Historia de las Mujeres. jul-dic2025, Vol. 32 Issue 2, p379-405. 27p.
Subjects: FEMININITY, GENDER identity, POPULAR culture, GENDER studies, SPANISH films, AVANT-garde (Arts), SPANISH Republic, 1931-1939
Abstract (English): This article analyses the imaginaries of femininity projected in mass culture through the study of Spanish cinema during the years of the Second Republic. Its aim is to examine the gender discourses projected from one of the most popular media during a period when gender identities were the subject of public debate. Film theatres projected a variety of femininities the female honour and its consequences coexist with conception of women more modern and transgressive. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): El artículo analiza los imaginarios sobre la feminidad que se mostraron en la cultura de masas a partir del estudio del cine español durante los años de la Segunda República. Su objetivo es ver los discursos de género que se proyectaron desde uno de los medios de comunicación más populares en una cronología en la que las identidades de género fueron objeto de debate en la esfera pública. Los cines proyectaron una variedad de feminidades, entre las que convivieron mujeres que cargaban con el peso de la honra con concepciones sobre la feminidad mucho más modernas y rupturistas. [ABSTRACT FROM AUTHOR]
Database: Referencia Latina
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DbLabel: Referencia Latina
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PubType: Academic Journal
PubTypeId: academicJournal
PreciseRelevancyScore: 1087.33386230469
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  Data: Honra, calumnias y muchachas modernas. Modelos y contramodelos de feminidad en el cine español de la Segunda República. <i>(Spanish). </i>
– Name: TitleAlt
  Label: Alternate Title
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  Data: Honour, slanders and modern woman. Models and counter-models of femininity in the cinema of the Spanish Second Republic.<i> (English)</i>
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  Data: <searchLink fieldCode="AR" term="%22Solbes+Borja%2C+Elena%22">Solbes Borja, Elena</searchLink>
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  Data: <searchLink fieldCode="JN" term="%22Arenal%2ERevista+de+Historia+de+las+Mujeres%22">Arenal.Revista de Historia de las Mujeres</searchLink>. jul-dic2025, Vol. 32 Issue 2, p379-405. 27p.
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  Data: <searchLink fieldCode="DE" term="%22FEMININITY%22">FEMININITY</searchLink><br /><searchLink fieldCode="DE" term="%22GENDER+identity%22">GENDER identity</searchLink><br /><searchLink fieldCode="DE" term="%22POPULAR+culture%22">POPULAR culture</searchLink><br /><searchLink fieldCode="DE" term="%22GENDER+studies%22">GENDER studies</searchLink><br /><searchLink fieldCode="DE" term="%22SPANISH+films%22">SPANISH films</searchLink><br /><searchLink fieldCode="DE" term="%22AVANT-garde+%28Arts%29%22">AVANT-garde (Arts)</searchLink><br /><searchLink fieldCode="DE" term="%22SPANISH+Republic%2C+1931-1939%22">SPANISH Republic, 1931-1939</searchLink>
– Name: Abstract
  Label: Abstract (English)
  Group: Ab
  Data: This article analyses the imaginaries of femininity projected in mass culture through the study of Spanish cinema during the years of the Second Republic. Its aim is to examine the gender discourses projected from one of the most popular media during a period when gender identities were the subject of public debate. Film theatres projected a variety of femininities the female honour and its consequences coexist with conception of women more modern and transgressive. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label: Abstract (Spanish)
  Group: Ab
  Data: El artículo analiza los imaginarios sobre la feminidad que se mostraron en la cultura de masas a partir del estudio del cine español durante los años de la Segunda República. Su objetivo es ver los discursos de género que se proyectaron desde uno de los medios de comunicación más populares en una cronología en la que las identidades de género fueron objeto de debate en la esfera pública. Los cines proyectaron una variedad de feminidades, entre las que convivieron mujeres que cargaban con el peso de la honra con concepciones sobre la feminidad mucho más modernas y rupturistas. [ABSTRACT FROM AUTHOR]
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RecordInfo BibRecord:
  BibEntity:
    Identifiers:
      – Type: doi
        Value: 10.30827/arenal.v32i2.31533
    Languages:
      – Code: spa
        Text: Spanish
    PhysicalDescription:
      Pagination:
        PageCount: 27
        StartPage: 379
    Subjects:
      – SubjectFull: FEMININITY
        Type: general
      – SubjectFull: GENDER identity
        Type: general
      – SubjectFull: POPULAR culture
        Type: general
      – SubjectFull: GENDER studies
        Type: general
      – SubjectFull: SPANISH films
        Type: general
      – SubjectFull: AVANT-garde (Arts)
        Type: general
      – SubjectFull: SPANISH Republic, 1931-1939
        Type: general
    Titles:
      – TitleFull: Honra, calumnias y muchachas modernas. Modelos y contramodelos de feminidad en el cine español de la Segunda República.
        Type: main
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          Name:
            NameFull: Solbes Borja, Elena
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          Dates:
            – D: 01
              M: 07
              Text: jul-dic2025
              Type: published
              Y: 2025
          Identifiers:
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              Value: 11346396
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              Value: 32
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              Value: 2
          Titles:
            – TitleFull: Arenal.Revista de Historia de las Mujeres
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