"HYBRID VIGOR": THE PILLOW BOOK AND COLLABORATIVE AUTHORSHIP IN RUTH OZEKI'S MY YEAR OF MEATS.
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| Title: | "HYBRID VIGOR": THE PILLOW BOOK AND COLLABORATIVE AUTHORSHIP IN RUTH OZEKI'S MY YEAR OF MEATS. |
|---|---|
| Authors: | MILNE, LEAH1 |
| Source: | College Literature. Summer2015, Vol. 42 Issue 3, p464-487. 24p. |
| Subject Terms: | Nonfiction |
| Reviews & Products: | Pillow Book (Book) |
| People: | Ozeki, Ruth L., 1956- |
| Abstract: | While critics have explored Ozeki's novel, My Tear of Meats, in light of ethnicity, gender, environmental issues, and the politics of the food industry, this article focuses on an aspect that connects all of these elements--namely, the authorial collaborations at the center of the text. The two author-protagonists, the narrator, Jane Takagi-Little, and her Japanese counterpart, Akiko Ueno, define themselves in relation to a third author, Sei Shonagon, and her tenth-century miscellany text known as The Pillow Book. In response to Roland Barthes's arguments about the "modern scriptor," I argue that Jane's understanding of authorship shifts in relation to her increasingly intricate interactions with Ueno and Shonagon, eventually leading to the realization that authorial power can manifest itself in positive and productive ways. Through these collaborations, Jane begins to comprehend her own hybridity and difference, her role as editor, and a new way to view creative and artistic freedom. [ABSTRACT FROM AUTHOR] |
| Copyright of College Literature is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 108488348 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: "HYBRID VIGOR": THE PILLOW BOOK AND COLLABORATIVE AUTHORSHIP IN RUTH OZEKI'S MY YEAR OF MEATS. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22MILNE%2C+LEAH%22">MILNE, LEAH</searchLink><relatesTo>1</relatesTo> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22College+Literature%22">College Literature</searchLink>. Summer2015, Vol. 42 Issue 3, p464-487. 24p. – Name: Subject Label: Subject Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Nonfiction%22">Nonfiction</searchLink> – Name: SubjectProduct Label: Reviews & Products Group: Su Data: <searchLink fieldCode="PS" term="%22Pillow+Book+%28Book%29%22">Pillow Book (Book)</searchLink> – Name: SubjectPerson Label: People Group: Su Data: <searchLink fieldCode="PE" term="%22Ozeki%2C+Ruth+L%2E%2C+1956-%22">Ozeki, Ruth L., 1956-</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: While critics have explored Ozeki's novel, My Tear of Meats, in light of ethnicity, gender, environmental issues, and the politics of the food industry, this article focuses on an aspect that connects all of these elements--namely, the authorial collaborations at the center of the text. The two author-protagonists, the narrator, Jane Takagi-Little, and her Japanese counterpart, Akiko Ueno, define themselves in relation to a third author, Sei Shonagon, and her tenth-century miscellany text known as The Pillow Book. In response to Roland Barthes's arguments about the "modern scriptor," I argue that Jane's understanding of authorship shifts in relation to her increasingly intricate interactions with Ueno and Shonagon, eventually leading to the realization that authorial power can manifest itself in positive and productive ways. Through these collaborations, Jane begins to comprehend her own hybridity and difference, her role as editor, and a new way to view creative and artistic freedom. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of College Literature is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=108488348 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1353/lit.2015.0032 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 24 StartPage: 464 Subjects: – SubjectFull: Nonfiction Type: general – SubjectFull: Pillow Book (Book) Type: general – SubjectFull: Ozeki, Ruth L., 1956- Type: general Titles: – TitleFull: "HYBRID VIGOR": THE PILLOW BOOK AND COLLABORATIVE AUTHORSHIP IN RUTH OZEKI'S MY YEAR OF MEATS. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: MILNE, LEAH IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 07 Text: Summer2015 Type: published Y: 2015 Identifiers: – Type: issn-print Value: 00933139 Numbering: – Type: volume Value: 42 – Type: issue Value: 3 Titles: – TitleFull: College Literature Type: main |
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