The disciplinary matrix of applied arts and artistic cultures.
Saved in:
| Title: | The disciplinary matrix of applied arts and artistic cultures. |
|---|---|
| Authors: | Roy, Emeline1 (AUTHOR) emeline.roy@univ‐amu.fr, McLain, Matt2 (AUTHOR) |
| Source: | Curriculum Journal. Mar2025, Vol. 36 Issue 1, p15-35. 21p. |
| Subject Terms: | *Vocational high schools, *Design education, *Secondary education, *Civics education, Decorative arts |
| Abstract: | Applied arts and artistic cultures are taught in vocational high schools, in France, with the aim of developing civic and social skills in students, which are cross‐cutting or generic. To achieve this, this design education revolves around the creation and conception of artefacts. This article explores epistemological issues relating to the role and nature of design education in vocational high schools. Following Kuhn, it proposes a disciplinary matrix of the subject, characterized by objects, knowledge (declarative and procedural) and a set of tasks. These different components make it possible to present a curricular analysis grid of design education in vocational high schools over the past 30 years. This reveals a curriculum development correlated to the evolution of design as an involved social practice. Additionally, the integration of Mitcham's technological manifestations framework enriches this analysis, offering a more comprehensive perspective on the role of technology in design education. This approach indeed clarifies what needs to be taught, fosters the evolution of teaching methods and incorporates new elements such as sustainable development, the environment, collaboration and information technologies. These adjustments reflect changes in professional practices and contribute to civic education in the context of sustainability and ethical challenges. This article makes a significant contribution to debates on the epistemological basis for design education, in France and beyond. [ABSTRACT FROM AUTHOR] |
| Copyright of Curriculum Journal is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
|
Full text is not displayed to guests.
Login for full access.
|
|
| Abstract: | Applied arts and artistic cultures are taught in vocational high schools, in France, with the aim of developing civic and social skills in students, which are cross‐cutting or generic. To achieve this, this design education revolves around the creation and conception of artefacts. This article explores epistemological issues relating to the role and nature of design education in vocational high schools. Following Kuhn, it proposes a disciplinary matrix of the subject, characterized by objects, knowledge (declarative and procedural) and a set of tasks. These different components make it possible to present a curricular analysis grid of design education in vocational high schools over the past 30 years. This reveals a curriculum development correlated to the evolution of design as an involved social practice. Additionally, the integration of Mitcham's technological manifestations framework enriches this analysis, offering a more comprehensive perspective on the role of technology in design education. This approach indeed clarifies what needs to be taught, fosters the evolution of teaching methods and incorporates new elements such as sustainable development, the environment, collaboration and information technologies. These adjustments reflect changes in professional practices and contribute to civic education in the context of sustainability and ethical challenges. This article makes a significant contribution to debates on the epistemological basis for design education, in France and beyond. [ABSTRACT FROM AUTHOR] |
|---|---|
| ISSN: | 09585176 |
| DOI: | 10.1002/curj.251 |
