Effects of Pitch Source on Pitch-Matching and Intonation Accuracy of Collegiate Singers

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Bibliographic Details
Title: Effects of Pitch Source on Pitch-Matching and Intonation Accuracy of Collegiate Singers
Language: English
Authors: Nápoles, Jessica, Springer, D. Gregory (ORCID 0000-0001-7923-726X), Silvey, Brian A., Adams, Kari
Source: Journal of Research in Music Education. Oct 2019 67(3):270-285.
Availability: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: http://sagepub.com
Peer Reviewed: Y
Page Count: 16
Publication Date: 2019
Document Type: Journal Articles
Reports - Research
Education Level: Higher Education
Postsecondary Education
Descriptors: College Students, Music Education, Singing, Intonation, Accuracy, Music Techniques
DOI: 10.1177/0022429419863034
ISSN: 0022-4294
Abstract: In this study, we examined the effects of multiple reference pitch sources on collegiate singers' accuracy in pitch-matching and intonation tasks. We also investigated which reference pitch source participants preferred and for what reasons. Participants (N = 99) sang a two-measure excerpt of "Joseph Dearest, Joseph Mine" after listening to the starting pitch of A on a pitch pipe, the piano, a vocal hum, or a tuning fork in two conditions. For one tuning fork condition, participants' starting pitch was an A, the same pitch as the tuning fork. For the other tuning fork condition, their starting pitch was a G, a different pitch than the tuning fork. We selected two pitches for analysis, each corresponding to the first syllable of the word "Joseph." We then analyzed pitch deviation of the two target notes from the reference pitch in each condition. Participants were most accurate in response to the piano and least accurate in response to the tuning fork when their starting pitch was a G. Participants expressed preference for the piano (37.12%) as their pitch source, followed closely by the pitch pipe (33.33%).
Abstractor: As Provided
Entry Date: 2019
Accession Number: EJ1229912
Database: ERIC
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Description
Abstract:In this study, we examined the effects of multiple reference pitch sources on collegiate singers' accuracy in pitch-matching and intonation tasks. We also investigated which reference pitch source participants preferred and for what reasons. Participants (N = 99) sang a two-measure excerpt of "Joseph Dearest, Joseph Mine" after listening to the starting pitch of A on a pitch pipe, the piano, a vocal hum, or a tuning fork in two conditions. For one tuning fork condition, participants' starting pitch was an A, the same pitch as the tuning fork. For the other tuning fork condition, their starting pitch was a G, a different pitch than the tuning fork. We selected two pitches for analysis, each corresponding to the first syllable of the word "Joseph." We then analyzed pitch deviation of the two target notes from the reference pitch in each condition. Participants were most accurate in response to the piano and least accurate in response to the tuning fork when their starting pitch was a G. Participants expressed preference for the piano (37.12%) as their pitch source, followed closely by the pitch pipe (33.33%).
ISSN:0022-4294
DOI:10.1177/0022429419863034