Teaching Virtual Production: The Challenges of Developing a Formal Curriculum

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Title: Teaching Virtual Production: The Challenges of Developing a Formal Curriculum
Language: English
Authors: Alex Boutellier (ORCID 0000-0002-9172-667X), Panos Raptis (ORCID 0009-0002-8867-2954)
Source: Film Education Journal. 2023 6(2):69-81.
Availability: UCL Press. University College London, Gower Street, London WC1E 6BT; e-mail: uclpresspublishing@ucl.ac.uk; Web site: https://www.uclpress.co.uk/pages/film-education-journal
Peer Reviewed: Y
Page Count: 13
Publication Date: 2023
Document Type: Journal Articles
Reports - Research
Education Level: Higher Education
Postsecondary Education
Descriptors: Foreign Countries, College Students, Film Production, Curriculum Design, Job Skills, Labor Needs, Film Study, Partnerships in Education, Visual Arts, Technological Advancement, Teaching Methods, Training Methods
Geographic Terms: United Kingdom (London)
ISSN: 2515-7086
Abstract: In this article, we explore how the recent proliferation of the virtual production stage with its promise of real-time visual effects has not only changed the working environment of the film studio, but also introduced an urgent need for new training and teaching approaches -- not only for current and future film students, but also for educators and practitioners. This case study examines a research project involving students from Ravensbourne University London, UK, in collaboration with industry partner Mo-Sys Engineering, a leading manufacturer of virtual production solutions. The complex demands of new, multidisciplinary job roles in virtual production have created a skills shortage in the UK film and television industry. We illustrate the challenges of training not only film students but also educators for a continually changing workplace dominated by disruptive technologies and shifting skill sets.
Abstractor: As Provided
Entry Date: 2023
Accession Number: EJ1404179
Database: ERIC
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  Data: Teaching Virtual Production: The Challenges of Developing a Formal Curriculum
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  Data: <searchLink fieldCode="AR" term="%22Alex+Boutellier%22">Alex Boutellier</searchLink> (ORCID <externalLink term="https://orcid.org/0000-0002-9172-667X">0000-0002-9172-667X</externalLink>)<br /><searchLink fieldCode="AR" term="%22Panos+Raptis%22">Panos Raptis</searchLink> (ORCID <externalLink term="https://orcid.org/0009-0002-8867-2954">0009-0002-8867-2954</externalLink>)
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  Data: <searchLink fieldCode="SO" term="%22Film+Education+Journal%22"><i>Film Education Journal</i></searchLink>. 2023 6(2):69-81.
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  Data: UCL Press. University College London, Gower Street, London WC1E 6BT; e-mail: uclpresspublishing@ucl.ac.uk; Web site: https://www.uclpress.co.uk/pages/film-education-journal
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  Data: <searchLink fieldCode="DE" term="%22Foreign+Countries%22">Foreign Countries</searchLink><br /><searchLink fieldCode="DE" term="%22College+Students%22">College Students</searchLink><br /><searchLink fieldCode="DE" term="%22Film+Production%22">Film Production</searchLink><br /><searchLink fieldCode="DE" term="%22Curriculum+Design%22">Curriculum Design</searchLink><br /><searchLink fieldCode="DE" term="%22Job+Skills%22">Job Skills</searchLink><br /><searchLink fieldCode="DE" term="%22Labor+Needs%22">Labor Needs</searchLink><br /><searchLink fieldCode="DE" term="%22Film+Study%22">Film Study</searchLink><br /><searchLink fieldCode="DE" term="%22Partnerships+in+Education%22">Partnerships in Education</searchLink><br /><searchLink fieldCode="DE" term="%22Visual+Arts%22">Visual Arts</searchLink><br /><searchLink fieldCode="DE" term="%22Technological+Advancement%22">Technological Advancement</searchLink><br /><searchLink fieldCode="DE" term="%22Teaching+Methods%22">Teaching Methods</searchLink><br /><searchLink fieldCode="DE" term="%22Training+Methods%22">Training Methods</searchLink>
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  Data: In this article, we explore how the recent proliferation of the virtual production stage with its promise of real-time visual effects has not only changed the working environment of the film studio, but also introduced an urgent need for new training and teaching approaches -- not only for current and future film students, but also for educators and practitioners. This case study examines a research project involving students from Ravensbourne University London, UK, in collaboration with industry partner Mo-Sys Engineering, a leading manufacturer of virtual production solutions. The complex demands of new, multidisciplinary job roles in virtual production have created a skills shortage in the UK film and television industry. We illustrate the challenges of training not only film students but also educators for a continually changing workplace dominated by disruptive technologies and shifting skill sets.
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      – Text: English
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      Pagination:
        PageCount: 13
        StartPage: 69
    Subjects:
      – SubjectFull: Foreign Countries
        Type: general
      – SubjectFull: College Students
        Type: general
      – SubjectFull: Film Production
        Type: general
      – SubjectFull: Curriculum Design
        Type: general
      – SubjectFull: Job Skills
        Type: general
      – SubjectFull: Labor Needs
        Type: general
      – SubjectFull: Film Study
        Type: general
      – SubjectFull: Partnerships in Education
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      – SubjectFull: Visual Arts
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      – SubjectFull: Technological Advancement
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      – SubjectFull: Teaching Methods
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      – SubjectFull: Training Methods
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      – SubjectFull: United Kingdom (London)
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      – TitleFull: Teaching Virtual Production: The Challenges of Developing a Formal Curriculum
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