OOO, Guerrilla Metaphysics, and the Allure of Children's Musical Play
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| Title: | OOO, Guerrilla Metaphysics, and the Allure of Children's Musical Play |
|---|---|
| Language: | English |
| Authors: | Alison Harmer (ORCID |
| Source: | Music Education Research. 2024 26(3):361-372. |
| Availability: | Routledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals |
| Peer Reviewed: | Y |
| Page Count: | 12 |
| Publication Date: | 2024 |
| Document Type: | Journal Articles Reports - Evaluative |
| Descriptors: | Play, Music, Music Education, Educational Philosophy, Object Permanence, Taxonomy, Children, Acoustics, Motion |
| DOI: | 10.1080/14613808.2024.2337709 |
| ISSN: | 1461-3808 1469-9893 |
| Abstract: | Inspired by Graham Harman's philosophy of human access, and within the 'flattening ontology' of Object Oriented Ontology, Ring o' Roses is speculated about as a finite object with ontological independence from humans, repertoire, song, utility, and cultural context. Ring o' Roses playfully dances us through an introduction to OOO, and on to the idea of young children's early musical play as something different from its qualities and benefits. Indeed, the reality of musical play can be speculated about as ontologically irreducible, and as having a weird and vast, yet fragile, interior which is announced by allure. Allure is composed of charm, courage, and humour, and is responsible for causation. |
| Abstractor: | As Provided |
| Entry Date: | 2024 |
| Accession Number: | EJ1429143 |
| Database: | ERIC |
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| Abstract: | Inspired by Graham Harman's philosophy of human access, and within the 'flattening ontology' of Object Oriented Ontology, Ring o' Roses is speculated about as a finite object with ontological independence from humans, repertoire, song, utility, and cultural context. Ring o' Roses playfully dances us through an introduction to OOO, and on to the idea of young children's early musical play as something different from its qualities and benefits. Indeed, the reality of musical play can be speculated about as ontologically irreducible, and as having a weird and vast, yet fragile, interior which is announced by allure. Allure is composed of charm, courage, and humour, and is responsible for causation. |
|---|---|
| ISSN: | 1461-3808 1469-9893 |
| DOI: | 10.1080/14613808.2024.2337709 |
