Disability Aesthetics in Belgian Arts and Disability Practices: A Qualitative Study from the Perspective of the Non-Disabled, Facilitating Performing Artists

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Bibliographic Details
Title: Disability Aesthetics in Belgian Arts and Disability Practices: A Qualitative Study from the Perspective of the Non-Disabled, Facilitating Performing Artists
Language: English
Authors: Aline Verbeke (ORCID 0000-0002-5237-4130), Julie Rodeyns (ORCID 0000-0002-1640-446X), Free De Backer (ORCID 0000-0002-4196-5082)
Source: Research in Drama Education. 2024 29(4):654-674.
Availability: Routledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals
Peer Reviewed: Y
Page Count: 21
Publication Date: 2024
Document Type: Journal Articles
Reports - Research
Descriptors: Disabilities, Theater Arts, Artists, Attitudes toward Disabilities, Aesthetics, Foreign Countries, Indo European Languages, Theaters, Dance, Grants, Attitudes, Cooperation, Value Judgment, Playwriting, Musicians, Creativity, Memorization
Geographic Terms: Belgium
DOI: 10.1080/13569783.2023.2249412
ISSN: 1356-9783
1470-112X
Abstract: The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that the collaborations often confirm their artistic practice in which the 'able-bodied' notion is no longer of their interest. Yet beliefs are also observed that can reinforce ableist ideas and the aesthetic appropriation of disability. Disability aesthetics in arts and disability can only develop fully when structural barriers to disabled performers in the mainstream are removed.
Abstractor: As Provided
Entry Date: 2024
Accession Number: EJ1453007
Database: ERIC
Description
Abstract:The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that the collaborations often confirm their artistic practice in which the 'able-bodied' notion is no longer of their interest. Yet beliefs are also observed that can reinforce ableist ideas and the aesthetic appropriation of disability. Disability aesthetics in arts and disability can only develop fully when structural barriers to disabled performers in the mainstream are removed.
ISSN:1356-9783
1470-112X
DOI:10.1080/13569783.2023.2249412