Intro to What? Interrogating Introduction to Music Education Courses

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Bibliographic Details
Title: Intro to What? Interrogating Introduction to Music Education Courses
Language: English
Authors: Ryan D. Shaw (ORCID 0000-0003-0819-8480), Stuart Chapman Hill (ORCID 0000-0002-0655-9329)
Source: Journal of Music Teacher Education. 2025 34(3):29-49.
Availability: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: https://sagepub.com
Peer Reviewed: Y
Page Count: 21
Publication Date: 2025
Document Type: Journal Articles
Reports - Evaluative
Descriptors: Music Education, Introductory Courses, Course Content, Music Teachers, Teacher Education Programs, Socialization, Educational Philosophy, Diversity Equity and Inclusion
DOI: 10.1177/10570837241277546
ISSN: 1057-0837
1945-0079
Abstract: In this article, we analyze a course type common to music education degree plans: the "introduction to music education" (IME) course. Known as "intro to music ed" or by a variety of other names related to "foundations" and foundational thinking, this course type is ubiquitous. However, the aims, content, and possibilities are rarely interrogated. We first situate IME courses in broader discourses around teacher preparation and then discuss historical developments around IME coursework in music teacher education. Next, we describe empirical findings related to IME courses. Then, we discuss curricular options for IME and make specific recommendations for how IME courses accommodate progressive concerns of the field related to teacher socialization, philosophy and sociology, and diversity, equity, inclusion, and belonging (DEIB).
Abstractor: As Provided
Entry Date: 2025
Accession Number: EJ1469395
Database: ERIC
Description
Abstract:In this article, we analyze a course type common to music education degree plans: the "introduction to music education" (IME) course. Known as "intro to music ed" or by a variety of other names related to "foundations" and foundational thinking, this course type is ubiquitous. However, the aims, content, and possibilities are rarely interrogated. We first situate IME courses in broader discourses around teacher preparation and then discuss historical developments around IME coursework in music teacher education. Next, we describe empirical findings related to IME courses. Then, we discuss curricular options for IME and make specific recommendations for how IME courses accommodate progressive concerns of the field related to teacher socialization, philosophy and sociology, and diversity, equity, inclusion, and belonging (DEIB).
ISSN:1057-0837
1945-0079
DOI:10.1177/10570837241277546