Mime, Music and Drama on the Eighteenth-Century Stage : The Ballet D'Action

Saved in:
Bibliographic Details
Title: Mime, Music and Drama on the Eighteenth-Century Stage : The Ballet D'Action
Description: The'ballet d'action'was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
Authors: Edward Nye
Resource Type: eBook.
Subjects: Music--Europe--18th century--History and criticism, Theater--Europe--History--18th century, Ballet--Europe--History--18th century, European drama--18th century--History and criticism, Pantomime--Europe--History--18th century
Categories: PERFORMING ARTS / Dance / Classical & Ballet, PERFORMING ARTS / Dance / Modern, PERFORMING ARTS / Dance / Reference
Database: eBook Collection (EBSCOhost)
Description
Abstract:The'ballet d'action'was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
ISBN:9781107005495
9781139101684