Cine: mirada y vínculo para transformar.
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| Title: | Cine: mirada y vínculo para transformar. (Spanish). |
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| Alternate Title: | Cinema: look and link to transform. (English) Cinema: olhar e ligar para transformar. (Portuguese) |
| Authors: | BOLAÑOS GUERRA, Tamia |
| Source: | Chasqui (13901079). abr-jul2023, Issue 152, p217-234. 18p. |
| Subjects: | MOTION pictures, SOCIAL development, SOCIAL space, NATIONAL character, NATIONALISM, INTELLECTUAL life, STRUGGLE, WEAPONS, SENSES |
| Geographic Terms: | ECUADOR |
| Abstract (English): | The audiovisual production of peoples and nationalities has gone through a long social and historical development to be located within the visual space of Ecuador and be legitimized as part of the national identity. This has meant a constant struggle of senses and powers because the image of the indigenous has traditionally been constituted from marginalization and exclusion. Little by little, the representatives of these communities have retaken important spaces for the social, political and cultural life of the country. From the seventh art, these communities clamor to also recover the right to look, be looked at and be producers of their own images, because cinema is considered an important political weapon that has emancipatory potential. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | La producción audiovisual de los pueblos y nacionalidades ha transitado un largo desarrollo social e histórico para ubicarse dentro del espacio visual del Ecuador y ser legitimada como parte de la identidad nacional. Esto ha significado una constante lucha de sentidos y poderes debido a que la imagen del indígena se ha constituido tradicionalmente desde la marginación y la exclusión. Poco a poco los representantes de esas comunidades han retomado espacios importantes para la vida social, política y cultural del país. Desde el séptimo arte, estas comunidades claman por recuperar también el derecho a mirar, ser mirados y ser productores de sus propias imágenes, porque el cine es considerado una importante arma política que tiene potencial emancipador. [ABSTRACT FROM AUTHOR] |
| Abstract (Portuguese): | A produção audiovisual de povos e nacionalidades passou por um longo desenvolvimento social e histórico para se situar no espaço visual do Equador e se legitimar como parte da identidade nacional. Isso tem significado uma luta constante de sentidos e poderes porque a imagem do indígena tem sido tradicionalmente constituída a partir da marginalização e da exclusão. Aos poucos, os representantes dessas comunidades têm retomado espaços importantes para a vida social, política e cultural do país. A partir da sétima arte, essas comunidades clamam para resgatar também o direito de olhar, ser olhado e ser produtor de suas próprias imagens, pois o cinema é considerado uma importante arma política com potencial emancipatório. [ABSTRACT FROM AUTHOR] |
| Database: | Referencia Latina |
| Abstract: | The audiovisual production of peoples and nationalities has gone through a long social and historical development to be located within the visual space of Ecuador and be legitimized as part of the national identity. This has meant a constant struggle of senses and powers because the image of the indigenous has traditionally been constituted from marginalization and exclusion. Little by little, the representatives of these communities have retaken important spaces for the social, political and cultural life of the country. From the seventh art, these communities clamor to also recover the right to look, be looked at and be producers of their own images, because cinema is considered an important political weapon that has emancipatory potential. [ABSTRACT FROM AUTHOR] |
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| ISSN: | 13901079 |
