Mujeres y titiriteras en Buenos Aires. Heterogeneidad, juegos y puesta en escena del propio cuerpo en los espectáculos de Elba Fábregas (1960-1973).

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Bibliographic Details
Title:	Mujeres y titiriteras en Buenos Aires. Heterogeneidad, juegos y puesta en escena del propio cuerpo en los espectáculos de Elba Fábregas (1960-1973). (Spanish).
Alternate Title:	Women and puppeteers in Buenos Aires. Heterogeneity, play and staging one's own body in Elba Fábregas shows (1960-1973). (English)
Authors:	Girotti, Bettina
Source:	Arenal.Revista de Historia de las Mujeres. jul-dec2023, Vol. 30 Issue 2, p697-721. 25p.
Subjects:	ARTISTS, SOCIAL history, PUPPET making, PUPPETS, ART history, PUPPET theater, TWENTIETH century
Abstract (English):	We aim to recover Elba Fábregas' trajectory to characterize her way of making puppets, understand the vicissitudes of women puppeteers in Buenos Aires city during the second half of the 20th century. We will reflect on the presence of women in the world of puppets and then characterizing Fábregas' work as a visual artist. Finally, we will reconstruct her puppet shows, emphasizing the heterogeneity and the place her body occupied on stage. We start from the hypothesis that the staging of her own body organized and gave sense to the multiplicity of objects used and allowed her to establish a direct relation with the public while collaborating in dismantling the relationship between female work and private sphere as well as multiplying the images associated with puppetry. [ABSTRACT FROM AUTHOR]
Abstract (Spanish):	Me propongo recuperar la trayectoria de Elba Fábregas, caracterizar su modo de hacer títeres y trazar algunas líneas que permitan comprender las vicisitudes de aquellas mujeres que incursionaron en este arte en la ciudad de Buenos Aires a partir de la segunda mitad del siglo xx. Comenzaremos por reflexionar sobre la presencia de mujeres en el mundo de los títeres para luego caracterizar el trabajo de Fábregas como artista visual. Finalmente, reconstruiremos su labor titiritera haciendo hincapié en la heterogeneidad y en el lugar que ocupó su cuerpo en escena. Parto de la hipótesis de que la puesta en escena de su propio cuerpo organizó y dio sentido a la multiplicidad de objetos utilizados y le permitió establecer un juego directo con el público a la vez que colaboró en desarmar la relación entre trabajo femenino y esfera privada y en multiplicar las imágenes asociadas al arte de los títeres. [ABSTRACT FROM AUTHOR]
Database:	Referencia Latina

Description
Abstract:	We aim to recover Elba Fábregas' trajectory to characterize her way of making puppets, understand the vicissitudes of women puppeteers in Buenos Aires city during the second half of the 20th century. We will reflect on the presence of women in the world of puppets and then characterizing Fábregas' work as a visual artist. Finally, we will reconstruct her puppet shows, emphasizing the heterogeneity and the place her body occupied on stage. We start from the hypothesis that the staging of her own body organized and gave sense to the multiplicity of objects used and allowed her to establish a direct relation with the public while collaborating in dismantling the relationship between female work and private sphere as well as multiplying the images associated with puppetry. [ABSTRACT FROM AUTHOR]
ISSN:	11346396
DOI:	10.30827/arenal.v30i2.23541