Retazos documentales para el estudio de las pintoras e iluminadoras laicas en la Baja Edad Media.
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| Title: | Retazos documentales para el estudio de las pintoras e iluminadoras laicas en la Baja Edad Media. (Spanish). |
|---|---|
| Alternate Title: | Documentary Fragments on the Study of Laywomen Painters and Illuminators in the Late Middle Ages. (English) |
| Authors: | Iparraguirre Martínez, Jon |
| Source: | Arenal.Revista de Historia de las Mujeres. ene-jun2026, Vol. 33 Issue 1, p123-153. 31p. |
| Subjects: | Women painters, Illumination of books & manuscripts, Art history, Medieval art, Middle Ages, Women artists, Workshops (Facilities), Archival research |
| Geographic Terms: | Flanders |
| Abstract (English): | Laywomen played an active role in the production of medieval art, including painting and manuscript illumination. They were part of the urban craft makers' family workshops, within which they were able to train and work. Most of them had to work under the shadow of a male member of their family, mainly their father or husband, and only a few went on to run workshops when they were widowed. This publication compiles and analyses accounts of these women during the last centuries of the Middle Ages along four regions: Kingdom of France, Flanders, and the Crowns of Castile and Aragon. Through the study of specific cases, it will be examined the documentary typology in which these names can be found and the main problems that the study of this issue presents: the dispersion, brevity and ambiguity of these documentary reports, and the difficulty in attributing works. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | Las mujeres laicas tuvieron un papel muy activo en la producción del arte medieval, incluyendo la pintura en todas sus variantes. Formaban parte de los talleres familiares del artesanado urbano, dentro de los cuales podían formarse y trabajar. La mayoría de ellas se vieron obligadas a trabajar a la sombra de un varón de su familia, padre o marido, principalmente, y solo unas pocas llegaron a dirigir talleres al enviudar. Esta publicación recopila y analiza las noticias de estas mujeres en los últimos siglos del medievo a lo largo de cuatro regiones: Reino de Francia, Flandes y las coronas de Castilla y de Aragón. A través del estudio de casos concretos se examinan las diferentes tipologías documentales en las que aparecen estos nombres y cuáles son las principales problemáticas que presenta el estudio de esta cuestión: la dispersión, brevedad y ambigüedad de estas noticias o la dificultad para atribuirles obras. [ABSTRACT FROM AUTHOR] |
| Database: | Referencia Latina |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: zah DbLabel: Referencia Latina An: 195332852 RelevancyScore: 1121 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 1121.06604003906 |
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| Items | – Name: Title Label: Title Group: Ti Data: Retazos documentales para el estudio de las pintoras e iluminadoras laicas en la Baja Edad Media. <i>(Spanish). </i> – Name: TitleAlt Label: Alternate Title Group: TiAlt Data: Documentary Fragments on the Study of Laywomen Painters and Illuminators in the Late Middle Ages.<i> (English)</i> – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Iparraguirre+Martínez%2C+Jon%22">Iparraguirre Martínez, Jon</searchLink> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Arenal%2ERevista+de+Historia+de+las+Mujeres%22">Arenal.Revista de Historia de las Mujeres</searchLink>. ene-jun2026, Vol. 33 Issue 1, p123-153. 31p. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Women+painters%22">Women painters</searchLink><br /><searchLink fieldCode="DE" term="%22Illumination+of+books+%26+manuscripts%22">Illumination of books & manuscripts</searchLink><br /><searchLink fieldCode="DE" term="%22Art+history%22">Art history</searchLink><br /><searchLink fieldCode="DE" term="%22Medieval+art%22">Medieval art</searchLink><br /><searchLink fieldCode="DE" term="%22Middle+Ages%22">Middle Ages</searchLink><br /><searchLink fieldCode="DE" term="%22Women+artists%22">Women artists</searchLink><br /><searchLink fieldCode="DE" term="%22Workshops+%28Facilities%29%22">Workshops (Facilities)</searchLink><br /><searchLink fieldCode="DE" term="%22Archival+research%22">Archival research</searchLink> – Name: SubjectGeographic Label: Geographic Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Flanders%22">Flanders</searchLink> – Name: Abstract Label: Abstract (English) Group: Ab Data: Laywomen played an active role in the production of medieval art, including painting and manuscript illumination. They were part of the urban craft makers' family workshops, within which they were able to train and work. Most of them had to work under the shadow of a male member of their family, mainly their father or husband, and only a few went on to run workshops when they were widowed. This publication compiles and analyses accounts of these women during the last centuries of the Middle Ages along four regions: Kingdom of France, Flanders, and the Crowns of Castile and Aragon. Through the study of specific cases, it will be examined the documentary typology in which these names can be found and the main problems that the study of this issue presents: the dispersion, brevity and ambiguity of these documentary reports, and the difficulty in attributing works. [ABSTRACT FROM AUTHOR] – Name: Abstract Label: Abstract (Spanish) Group: Ab Data: Las mujeres laicas tuvieron un papel muy activo en la producción del arte medieval, incluyendo la pintura en todas sus variantes. Formaban parte de los talleres familiares del artesanado urbano, dentro de los cuales podían formarse y trabajar. La mayoría de ellas se vieron obligadas a trabajar a la sombra de un varón de su familia, padre o marido, principalmente, y solo unas pocas llegaron a dirigir talleres al enviudar. Esta publicación recopila y analiza las noticias de estas mujeres en los últimos siglos del medievo a lo largo de cuatro regiones: Reino de Francia, Flandes y las coronas de Castilla y de Aragón. A través del estudio de casos concretos se examinan las diferentes tipologías documentales en las que aparecen estos nombres y cuáles son las principales problemáticas que presenta el estudio de esta cuestión: la dispersión, brevedad y ambigüedad de estas noticias o la dificultad para atribuirles obras. [ABSTRACT FROM AUTHOR] |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.30827/arenal.v33i1.29281 Languages: – Code: spa Text: Spanish PhysicalDescription: Pagination: PageCount: 31 StartPage: 123 Subjects: – SubjectFull: Women painters Type: general – SubjectFull: Illumination of books & manuscripts Type: general – SubjectFull: Art history Type: general – SubjectFull: Medieval art Type: general – SubjectFull: Middle Ages Type: general – SubjectFull: Women artists Type: general – SubjectFull: Workshops (Facilities) Type: general – SubjectFull: Archival research Type: general – SubjectFull: Flanders Type: general Titles: – TitleFull: Retazos documentales para el estudio de las pintoras e iluminadoras laicas en la Baja Edad Media. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Iparraguirre Martínez, Jon IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Text: ene-jun2026 Type: published Y: 2026 Identifiers: – Type: issn-print Value: 11346396 Numbering: – Type: volume Value: 33 – Type: issue Value: 1 Titles: – TitleFull: Arenal.Revista de Historia de las Mujeres Type: main |
| ResultId | 1 |
