Industria, política y movimientos culturales: una lectura desde el fenómeno comercial del rock y el pop.

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Bibliographic Details
Title:	Industria, política y movimientos culturales: una lectura desde el fenómeno comercial del rock y el pop. (Spanish).
Alternate Title:	Industry, Politics and Cultural Movements. A Perspective from the Commercial Phenomenon of the Rock And Pop. (English)
Authors:	Sánchez, Hernando Cepeda
Source:	Estudios Sobre las Culturas Contemporáneas. dic2009, Vol. 15 Issue 30, p85-104. 20p.
Subjects:	CULTURAL history, POPULAR music -- Social aspects, CULTURAL studies, POPULAR culture, CONSUMER attitudes, CULTURAL policy, CULTURAL movements
Abstract (English):	The cultural history is shown as a difficult space owing to the weakness of its meaning; different streams of historical and social thought have appropriated indiscriminate of the concept, causing in this way an intense debate around it. This article was inspired mainly because the sharpness of the discussion, but is thought as a document that observes the traditional tendencies of cultural history taking into account the more recent contributions. As a theoretical document, it does not say much about the specific case of Latin America, although the analysis explicitly observes the problematic of the American subcontinent. Mainly, this text observes the subject' participation as the builder of his own history analyzing three central aspects: consumption of cultural goods (Industry), the promotion of them (Cultural policies), and the resistance forms generates through the cultural goods (Cultural movement). It is possible to see that culture is directly related with the established of policies that help the cultural goods' promotion, but those assumed different meaning related to the personal interest of the consumers. [ABSTRACT FROM AUTHOR]
Abstract (Spanish):	La historia cultural se presenta como un espacio de alta conflictividad debido a la debilidad de su significado; variadas corrientes de pensamiento histórico y social se han adueñado indiscriminadamente del término ocasionando así un debate sobre su naturaleza. Este artículo fue incitado principalmente por la agudeza de la discusión, pero está propuesto como un documento que revise las tendencias tradicionales de la historia cultural sin descuidar los aportes teóricos más recientes. Como documento teórico, es poco en realidad lo que se atreve a decir sobre los casos concretos de Latinoamérica, aunque explícitamente el análisis ronda por las problemáticas del subcontinente americano. Principalmente, este texto observa el papel del sujeto como el constructor de su propia historia y para ello analiza tres aspectos centrales: El consumo de bienes culturales (Industria), la promoción de ellos (Políticas culturales) y las formas de resistencia generadas por medio de los artículos culturales (Movimientos culturales). Se observa que la existencia de la cultura está directamente relacionada con el establecimiento de las políticas que favorecen la promoción de los bienes culturales, pero que éstos asumen significaciones relacionadas con los intereses individuales de los sujetos consumidores. [ABSTRACT FROM AUTHOR]
Database:	Referencia Latina

Description
Abstract:	The cultural history is shown as a difficult space owing to the weakness of its meaning; different streams of historical and social thought have appropriated indiscriminate of the concept, causing in this way an intense debate around it. This article was inspired mainly because the sharpness of the discussion, but is thought as a document that observes the traditional tendencies of cultural history taking into account the more recent contributions. As a theoretical document, it does not say much about the specific case of Latin America, although the analysis explicitly observes the problematic of the American subcontinent. Mainly, this text observes the subject' participation as the builder of his own history analyzing three central aspects: consumption of cultural goods (Industry), the promotion of them (Cultural policies), and the resistance forms generates through the cultural goods (Cultural movement). It is possible to see that culture is directly related with the established of policies that help the cultural goods' promotion, but those assumed different meaning related to the personal interest of the consumers. [ABSTRACT FROM AUTHOR]
ISSN:	14052210